Close to 1,000 people gathered in the tiny Lyttelton harbour settlement of Rapaki last Saturday, for the dawn opening of Wheke, the new whare tipuna of Te Hapu o Ngati Wheke, Ngai Tahu that has been ten years in the planning and making.
It was always going to be a long day - I woke up at 2am and couldn't get back to sleep, so I was ready for action way ahead of the 4.30am Whakatuwhera - the dawn ceremony. Later in the morning - after breakfast for 600, when the sun was up - a team of waka taua (war canoe) paddlers arrived at Rapaki's Gallipoli Jetty (built in 1916 as a memory to soldiers who fell at Gallipoli) to start the second half of the formal celebrations - the powhiri for invited dignatories.
It was always going to be a long day - I woke up at 2am and couldn't get back to sleep, so I was ready for action way ahead of the 4.30am Whakatuwhera - the dawn ceremony. Later in the morning - after breakfast for 600, when the sun was up - a team of waka taua (war canoe) paddlers arrived at Rapaki's Gallipoli Jetty (built in 1916 as a memory to soldiers who fell at Gallipoli) to start the second half of the formal celebrations - the powhiri for invited dignatories.
It was a baking hot day and while everyone huddled under umbrellas, sunhats and nearby trees, local kaumatua (elders) welcomed the guests. I spent some of that time taking photographs - hundreds of photographs - and these are a tiny sample of some of my favourites from the day. I'll be bringing a few more to this blog in the coming days.
I always find a wealth of photographic material at Maori events - the carved tokotoko (walking sticks), the beauty of the hongi (greeting; above), the hats, the splendour of carvings, the luxury of feather korowai (cloaks- below), the intricacy of patterns and ta moko. I'm never short of a subject.
I'll bring you more of the hats, the tokotoko, the hongi and the exterior carvings in future blogs. Unfortunately, I can't show you the exquisite carvings and tukutuku panels and the elaborately painted heke (rafters) inside the whare tipuna. While I was able to photograph them for Ngai Tahu's TE KARAKA magazine, that's where they have to stay, as photography is not generally permitted inside a wharenui. Suffice to say, Master Carver, Christchurch-based Ngati Porou artist, Riki Manuel and his team have created a sublime interior that is completely unique. Manuel has invented what he loosely terms "a Rapaki style" that is based on local whakapapa, birds, plants and kaimoana (seafood) - in short, the unique local lifestyle that sets this divine little community - just across the Port Hills from Christchurch - apart. www.ngaitahi.iwi.nz