I turned into Wairahoraho Road on Karikari Peninsular in the Far North to see if I could get to this gorgeous little Maori church that sat high on a hill overlooking the peninsular. Unfortunately, the way up to the church was a heavily rutted clay track that would have ruined my car, so I had to content myself with this long view with a telephoto lens. I adore Northland's red-roofed Maori churches and I photographed dozens of them on last year's trip. Well-known New Zealand photographer, Laurence Aberhart made a comprehensive photographic study of them - usually in black and white - and many of his images are in major New Zealand art collections. When I lived in Wanganui many years ago (back in the mid-eighties), Laurence Aberhart was the artist-in-residence at Sarjeant Gallery's Tylee Cottage and he was often seen wandering about the town, wheeling his photographic gear in a wheelbarrow.This blog provides a visual-verbal snapshot of Maori culture and contemporary Maori lifestyles in modern New Zealand. It presents my own experiences and observations of Maori culture and is not intended in anyway to be the definitive view on all things Maori, but rather an introduction for those who want to know more about Maori culture and its place in everyday bicultural New Zealand.
Thursday, January 14, 2010
Church on a Hill
I turned into Wairahoraho Road on Karikari Peninsular in the Far North to see if I could get to this gorgeous little Maori church that sat high on a hill overlooking the peninsular. Unfortunately, the way up to the church was a heavily rutted clay track that would have ruined my car, so I had to content myself with this long view with a telephoto lens. I adore Northland's red-roofed Maori churches and I photographed dozens of them on last year's trip. Well-known New Zealand photographer, Laurence Aberhart made a comprehensive photographic study of them - usually in black and white - and many of his images are in major New Zealand art collections. When I lived in Wanganui many years ago (back in the mid-eighties), Laurence Aberhart was the artist-in-residence at Sarjeant Gallery's Tylee Cottage and he was often seen wandering about the town, wheeling his photographic gear in a wheelbarrow.
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