A shiny rainbow of blues, green and mauves
Captured in a Neck Piece
Cathedral Square Market
October 2010. Ajr
October 2010. Ajr
This blog provides a visual-verbal snapshot of Maori culture and contemporary Maori lifestyles in modern New Zealand. It presents my own experiences and observations of Maori culture and is not intended in anyway to be the definitive view on all things Maori, but rather an introduction for those who want to know more about Maori culture and its place in everyday bicultural New Zealand.

This year's Ngai Tahu Hui-a-Tau was staged at the tiny southern seaside village at Karitane about 35 minutes north of Dunedin, from Friday November 19-21. Numerous marquees were erected on the estuary foreshore (our view above) and around 1,000 iwi (tribe) members descended on the village for three days of meetings, 'reunions' with relatives and friends, discussions, tours and activities.
Local school pupils performed (above); a good number of Police kept and eye on proceedings, at the same time mixing in with visitors (above); and dozens of kids treated the entire location like a giant fun park (below).
It was often an exhausting business for the tamariki (children). When they weren't playing in the sea or exploring the rocky foreshore, they were joining in sack and egg-and-spoon races, hip-hop dancing or fake ta moko (tattoo) face painting sessions. The little guy pictured above finally gave in to exhaustion when he was sitting on a chair in the main tent.
Meanwhile, this group of kuia (old ladies) decided to dress alike in red cloaks so they "wouldn't lose each other" in the crowds on opening night.
I'm always staggered by the massive amount of organisation that goes into staging these big events - the feeding and accommodating of over 1,000 people is only the beginning. There are hangi to dig and prepare; meetings to schedule and run; guest speakers to organise and so much more. And the hosts this year, Kati Huirapa Runaka ki Puketeraki, even went to the trouble of decorating every hui site around the village with giant handpainted banners (above).
A crowd of keen paddlers also gathered for waka ama paddling and sailing activities on the Waikouaiti River and estuary (above); and Nuku Tirikatene-Nash ran a surf school over the sandhills at Karitane Ocean Beach.
There were demonstrations on traditional methods of working pounamu, with discussion on the distinctive characteristics of the many treasured pounamu varieties; and demonstrations of the making of traditional mokihi (rafts) (above), which are made by binding bundles of dried raupo (bullrush) leaves together with stripped harakeke (flax). The mohiki pictured above are small, take-home versions - they were traditionally made much larger to transport two to four people. Hui participants also had the chance to visit nearby Puketeraki Marae, the nearby Evansdale Cheese Factory and Huriawa Peninsula to explore the archaeology and re-vegetation of Te Pa o te Wera. Rihari Taratoa-Bannister and Kelly Tikao were also on hand in the Oi Tent, to show Oi He Whakaaro Maori Short Films. In short, there was something for everyone. www.ngaitahu.iwi.nz
Every year at the Ngai Tahu Hui-a-Tau, there's a very good craft market where iwi members can sell their arts, crafts, services and products. You'll find everything from pounamu (greenstone) and bone jewellery to pounamu platters, woven kete (baskets), stone carvings and clothing embellished with traditional designs. It's a great chance to pick up both traditional and contemporary gifts for friends and family. www.ngaitahu.iwi.nz 
Last Friday, I headed south to Karitane, about 30 minutes north of Dunedin, for the annual Ngai Tahu Hui-a-Tau hosted by Kati Huirapa Runaka ki Puketeraki. The three-day event was staged at the Karitane reserve overlooking the very pretty estuary and for the most part, the weather held. The Hui-a-Tau is a chance for Te Runanga o Ngai Tahu to meet with all iwi runanga and representatives to discuss the years activities, business and concerns. And while all those formalities are taking place, I'm usually found taking in the details of the event - photographing people and places, artisans and 'aunties.' At this year's event, I was particularly taken with all the hats, so I've decided to start my coverage with a short 'hat parade' - candid shots of a few iwi members taken during proceedings.

In former times during the Tangihanga (funeral) for a chief, his waka (canoe) would be placed on its end, standing upright and semi-buried in the ground. This would signify the homage and gratitude rendered to the great man, the warrior, the great chief. To the already carved waka, the addition of more carved or painted designs - kowhaiwhai - would show tribal connection. In this Pouwairua, standing tall above Lake Tarawera, the Te Arawa people of Rotorua honour and respect their great leader, Tuhourangi, who once occupied the surrounding lands with his people.
In 1886, Mount Tarawera erupted fiercely - that's it in the rear right of the photograph above - flat-topped now. In the ensuring devastation that followed, the Maori village of Te Wairoa, home to the Tuhourangi people, was completely buried in volcanic ash.
The Tuhourangi owned the famous Pink & White Terraces - Otukapuarangi and Te Tarata -which were a major tourist attraction in the late 1880s. Members of the tribe acted as guides for people wanting to explore the terraces. Along with the loss of Te Wairoa, the terraces and several surrounding villages, the Tuhourangi also lost all their cultivated land that had provided social, cultural and economic sustenance for the hapu for generations.
We miss out on a lot in life when we don't take the time to look carefully at everything around us. It seems to be the modern way - to whizz through life without a minute to spare for the sheer enjoyment of observation. I've been guilty of it myself - which is why I had never really noticed this particular war memorial in Rotorua's Government Gardens before. Always in a hurry for a meeting at adjacent Rotorua Museum & Art Gallery, I had driven straight past it many times.
Unveiled by the Duke of York in 1927 it is a memorial to the Te Arawa soldiers who died in the Great War. It is extravagant in its detail - following both the English and the Maori traditions. I've only represented a tiny portion of that here in the interests of conserving space. I particularly loved the little waka with its miniature paddlers set into the concrete memorial.
It was late afternoon on a grey winter's day when I pulled off the highway 14 kilometres north of Rotorua at the tiny village of Mourea. I'd spotted the sign to Te Takinga Marae and I was keen to get a closer look.
I drove down beside a slow moving river and parked my car for a while to take in the pretty buildings - the cute-as-a-button Maori church, complete with urupa (Motutawa) and the marae complex itself, set back from the road against a backdrop of thunderous grey clouds.
Te Takinga (Hohowai) Marae is home to the hapu Ngati Te Takinga of the iwi, Ngati Pikiao, which in turn is an affiliated member of the Te Arawa confederation of tribes. Ngati Pikiao occupies the land of the Okere and Rotoiti Lakes near Rotorua and Te Takinga, is on the western shores of Lake Rotoiti. there was no one about on the marae itself; in fact the only person I saw in all of Mourea, was a man fishing on the side of the river.
On a trip through the central North Island back in June, I passed through the small town of Otorohanga, where I spotted two marvellous pouwhenua (totems) on the edge of the main street. Unfortunately it was teeming with rain so my photographs really don't do the carvings justice but they give you an idea of the intricate detail involved in each figure.
The two plaques give a detailed account of each figure, its place in local history and who carved the piece but without an overall shot that shows the names clearly, all that is a little meaningless to repeat here. I will add though, that the figures represented in the pouwhenua are Tuhoro (carved by Korari Boyd of Ngati Haua); Te Kanawa (carved by Desmond Te Kanawa of Ngati Maniapoto); Te Kauauru (carved by Albert Tipene of Ngati Tuwharetoa); Te Haupokia (carved by Tahi Meihana of Ngati Raukawa, Ngati Rereahu).
The figure of Maniapoto was carved by Mitchell Hughes (Ngati Maniapoto); Taonui and Te Wetini were carved by Martin Tuaupiki (Ngati Mahuta); andWahanui was carved by Tahi Meihana (Ngati Raukawa). I thought it one of the most impressive contemporary carvings I've seen in a while - and certainly the placement of new pouwhenua in public places in many towns around New Zealand is an admirable one. It's a visible reminder of the huge renaissance of Maori culture in New Zealand over the last twenty years.