(greenstone)
Behind Glass
Otago Museum, Dunedin
May 2010, Ajr
This blog provides a visual-verbal snapshot of Maori culture and contemporary Maori lifestyles in modern New Zealand. It presents my own experiences and observations of Maori culture and is not intended in anyway to be the definitive view on all things Maori, but rather an introduction for those who want to know more about Maori culture and its place in everyday bicultural New Zealand.

I visited Wellington's Museum of Wellington a couple of days ago and found it to be a very well designed and beautifully presented little museum - not that it was my first visit; this more a reiteration of my enjoyment of the small, intimate displays, the painting/mural entitled "Wahine" by James Turkington (1966), that was recovered from the wreckage of the vessel Wahine, that sank off the Wellington coast in 1968. It's part of the museum's very moving Wahine Gallery, which is a memorial to the Cook Strait tragedy. Although this mural had only been submerged for a few months before it was recovered, it was already encrusted with barnacles and small mussels. After cleaning and restoration though, only a few near-invisible scars remain on the formica surface. www.museumofwellington.co.nz 
The Maori adze, or toki, was a woodworking tool, usually made of a hard stone fastened to a wooden handle. The most prized were made of pounamu (greenstone). This early example is one I photographed at Auckland Museum. It was found near Hamilton and is made from greywacke stone. Regional construction styles were common. www.aucklandmuseum.com
Auckland Museum has one of the best collections of Maori artefacts in the world - and this is one of them, the pataka (storehouse) Te Oha, which was sold to F.D.Fenton in 1885 by Te Mata Tahuri-o-Rangi. It was purchased by Auckland Museum in 1906. Pataka were generally used to store food, although they sometimes housed valuable weapons, cloaks and baskets. www.aucklandmuseum.com
Now available in bookstores throughout New Zealand (RRP $49.99), this sumptuous publication features over 120 full colour plates of taonga tuku iho, some of which have not been published before. Toi Ora: Ancestral Maori Treasures shows these taonga as living treasures, passed on through generations and containing the stories and mauri (life force) of those who made, used and continue to value them. The above images (supplied by the Museum of New Zealand Te Papa Tongarewa) are - Top: Toki (adze blade). Te Tipunga 1300-1500. Iwi unknown. Pounamu (nephrite)/ 562 x 123 x 52mm. Purchased 1948, as part of the Oldman Collection. Bottom: Kumete (food bowl). Te Huringa 1 1800-1900. Ngati Pikiao from Lake Rotoiti, Rotorua region. Carved by Patoromu Tamatea. Wood/ 450 x 330 x 350mm. Gift of Mrs Chorlton, 1961.
And here is a tantalising glimpse of some of the precious treasures you can expect to see in the book.
Pataka or Storehouse (for food)
I’ve been going through my Okains Bay Maori and Colonial Museum photos again and found this one (right) referencing the art of Maori moko or tattoo. Traditionally, men were tattooed much more heavily than women, who mainly tattooed their lips (kauae) and their chins. There’s been a strong resurgence of interest in moko – among both men and women keen to acknowledge their Maori heritage – and many are also choosing to be tattooed the traditional way using uhi or chisels, rather than with modern tools.
Maori Kete, Okains Bay Museum 2008. Ajr