(greenstone)
Behind Glass
Otago Museum, Dunedin
May 2010, Ajr
This blog provides a visual-verbal snapshot of Maori culture and contemporary Maori lifestyles in modern New Zealand. It presents my own experiences and observations of Maori culture and is not intended in anyway to be the definitive view on all things Maori, but rather an introduction for those who want to know more about Maori culture and its place in everyday bicultural New Zealand.

I photographed this contemporary carved Maori gateway at Dunedin's Otago Museum last month - so different to traditional works, yet still beautiful in an entirely different way. You'll notice that, as always, I homed in on the cast shadows.
According to the museum exhibition notes, Nga Waka Tupuna o te Tai-o-Araiteuru - The Ancestral canoes of the Otago Coast - was made for the Otago Museum by the manawhenua of the Otago region, under the guidance of the artist, Cliff Whiting. A dedication ceremony was held for the gateway at the Otago Museum on November 27, 1990. The carvings on the front of the gateway depict the three canoes, Uruao, Araiteuru and Takitimu. The totara wood figures represent four important South Island ancestors. www.otagomuseum.govt.nz 
When I took these two photographs, I was testing my new camera as much as anything and, in a remiss moment, I forgot to note down the origins and history of this particularly beautiful carving. However, because it was situated between two large exhibits of Ngati Porou meeting house carvings, made near Napier in the late 1870s, I am guessing this piece may be part of the same group - although I could be wrong. I won't prattle on - just in case, leaving you instead, just to enjoy the exquisite craftsmanship of traditional carvers. www.otagomuseum.govt.nz
This is one of the iconic images that Otago Museum uses in its own promotional material. I took this photograph on a recent visit to the museum - it's the carving Poutokomanawa, in the museum's collection. According to the museum's notes, "the carved figues are of a tribal ancestor and ancestress in sexual embrace. This is a re-telling of one creation myth, the union of the primal parents, Rangi and Papa. One of their many children, Tane, the forest god, prised his parents apart, letting light into the world, where Rangi is the sky and Papa, the earth." www.otagomuseum.govt.nz 
I photographed these beautiful carved waka huia (feather or treasure boxes) at Otago Museum in Dunedin recently. It's a name I love - waka huia - and as a collector of boxes and, in the past, of feathers too, I could only gaze in awe at these beautiful examples of traditional Maori craft.
According to the museum display notes "these elaborately carved boxes were used to store huia tail feathers and other prized possessions. There are two basic shapes ofwaka huia - the rectangular and canoe (waka) or oval forms. As they were intended to be hung from the roofs of houses, the bottoms of the boxes were as well decorated as the sides and lid. Male and female figures, sometimes copulating, are usually incorporated int the carving." www.otagomuseum.govt.nz 
This bottom photograph doesn't really do this beautiful waka (canoe)- Te Paranihi - justice. It's much bigger and much more handsome than it looks here- although the detail shot does hint at the intricate beauties that deserve close inspection. I photographed it recently at Otago Museum in Dunedin and I noted the following from the museum's exhibition notes: "The hull of this waka taua (Maori war canoe) was made in about 1840 in the Whanganui River valley for Paturomu, a chief based at Koroniti. The waka was first given the name Tauria Komene but in 1890 was renamed Te Paranihi in honour of the then Premier of New Zealand, John Ballance. Although designed as a waka taua, Te Paranihi was never used in fighting and probably had only a plain prow.
When I was in Dunedin last week and the rain fell, I retreated to Otago Museum to test my new camera in low light without flash. I have to say I was delighted with the results and what seemed like a gross over-indulgence when I bought it now seems like a very sound investment. And so to these stunning carvings...... They were made by Ngati Porou carvers near Napier in the late 1870s for the Hawke's Bay chief, Karaitiana Takamoana, who planned to erect a whare Runanga where they would feature. Unfortunately he died in 1979 and the incompleted carvings were abandoned. Dr T.M Hocken, who had heard of the carvings, secured their loan for the New Zealand Exhibition of 1889-90, where they were set up as a house. At the conclusion of the exhibition, Hocken purchased the carvings and gifted them to Otago Museum - which, I have to say, has a small but very beautiful collection of Maori artefacts. www.otagomuseum.govt.nz (These notes from the Otago Museum exhibition labels).