Counting His Coins
Rotorua
May 2009, Ajr
Rotorua
May 2009, Ajr
This blog provides a visual-verbal snapshot of Maori culture and contemporary Maori lifestyles in modern New Zealand. It presents my own experiences and observations of Maori culture and is not intended in anyway to be the definitive view on all things Maori, but rather an introduction for those who want to know more about Maori culture and its place in everyday bicultural New Zealand.
Viewed from afar, these carvings, at the entrance to Whakarewarewa Thermal Village in Rotorua have an undeniable strength and power; up close, they exude and even greater sense of history, spirit and character. They are some of my favourite examples of traditional carving and I photographed them from every angle, focussing in on the detail of carving technique, the symbols and the patterns. I'm a little disappointed my collage has reduced down to such a small size, but it will hopefully give you an idea of the beautiful craftsmanship involved in these works. www.whakarewarewa.com
I've been playing about with assorted photo-shopping programmes to see which one will produce the best collages and panoramas. This is one result - poi dancers performing at Whakarewarewa Thermal Village when I visited Rotorua last year. There is room for improvement though, so expect to see a few more experiments in the coming weeks. In the meantime, if you'd like to know more about Whakarewarewa, either click on their name in the label line below this post for other things I've written, or check their website: www.whakarewarewa.com
Rotorua's Whakarewarewa Thermal Village is one of New Zealand's iconic tourism attractions. In addition to its natural geothermal activity, the village is home to the Ngati Wahiao people, who have resided here for over 300 years, tapping into the geothermal resources for cooking and washing practices. If you visit, you'll get an insight into both their traditional and contemporary way of life. The above carving is a detail from the wharenui (meeting house) of Wahiao Marae - one of dozens of traditional carvings that give Whakarewarewa so much character.
But you don't have to go far to see that the seventy or so people (in 25 families) living in the village live ordinary lives that involve doing things like the daily washing. Some may be employed as your tour guide, some may be weavers, carvers or tattoists, but at the end of the day they are simply New Zealanders going about everyday life - privileged if you ask me, to live in a unique place so riddled with history and mystery. www.whakarewarewa.com
Maori art is generally considered to be ‘a frontal art’ – that is, the traditional works were designed to be viewed from the front; whereas the less common three-dimensional pieces like these, could be viewed from all angles. That said, even they feature the most detailed artistic expression in the front view. I photographed these fabulous figures at the gates to the Rotorua Museum grounds. It’s a carving style I love and I’m always drawn to the intricate spiral patterns used to depict shoulders and buttocks. I keep meaning to make a concentrated photographic study of these spiral patterns – they come in a wide variety of designs – but I keep forgetting. So much to do, so little time!
These figures stand at the Hinemoa and Arawa Street entrances to the Rotorua museum grounds and I copied the text from a plaque nearby, which I assumed was referring to these carvings. I hope so because here it is: “These carvings were presented by the people of Ngati Whakaue to commemorate their original gift of land in 1880. Hei oranga mo nga iwi katoa a tea o – for the benefit of the people of the world. They were carved by master carver Tene Waitere and they depict tribal ancestors.” I’ve just spent a fascinating hour reading about Tene Waitere (Ngati Tarawhai), who was born near Kaitaia in Northland in 1854 and died in Rotorua in 1931. 
He was regarded as one of New Zealand’s most prolific and innovative Maori carvers and his wide range of work – from canoes and meetings houses to walking sticks, tobacco pipes and replicas of traditional artefacts for the growing tourism market - and for royal visitors -in the early 1900s – lives on as some of the finest carving from the time. Many of his carvings were created for and are still at Whakarewarewa Maori Village, where he lived after surviving the Tarawera eruption that descecrated his village of Te Wairoa. His grand-daughter in fact, was the great Rangitiaria, or Guide Rangi as she became known – perhaps the earliest trailblazer for Maori tourism for her work guiding tourists through the famous Pink and White Terraces, which were destroyed by the Tarawera eruption. Waitere's story is an intriguing one and thankfully is well documented. I intend to look out one or two excellent books that detail his life and work. www.rotoruamuseum.co.nz
The hottest pool in the village is Korotiotio, which means ‘Grumpy Old Man’ – aptly named given that its temperature measures 155 degrees Celsius. In the old days, the women of the tribe threw freshly killed poultry into the water for 15 to 20 seconds to make them easy to pluck. The steam from the pool is said to be very good for asthmatics. www.whakarewarewa.com 
Rotorua. May 2009. Ajr

